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Christian Kane

So what do a little grey horse, a lawyer for demons, and a criminal turned good have in common? The one and only, actor-singer-songwriter, Christian Kane. We had a chance to catch up with one of our favorite bad boys turned good at the premier of 50 to 1. The story of the amazing crooked footed New Mexico horse that won the Kentucky Derby in 2009. The movie chronicles how the New Mexican cowboys made a long shot dream come true. Christian portrays Mark Allen, one of the owner/trainers of the horse, and was here in Albuquerque for the premier.

Christian first appeared on the Hollywood scene in a show called Fame L.A., which was based off the popular 80’s TV show, Fame. The show was short-lived, but that didn’t stop Christian from charging forward. He had left the University of Oklahoma, with only 15 credit hours to go, in order to pursue his dream in acting. By his own admission, he spent more time studying booze and women then art history while he was there. “School was a character study for me.” Kane says with a smile.

He landed a few small roles in movies before he getting one of the key roles for his career, and one that he will always be remembered for. Lindsey McDonald, attorney extraordinaire for Wolfram and Hart, the largest demonic attorneys office in L.A. and around the world in Joss Whedon’s Angel. Kane thinks Lindsey was such a fan favorite because he was a bad guy with a conscious. Throughout the show, the human lawyer to the demons struggled with his role, sometimes trying to kill the vampire with a soul and sometimes helping him. “Do you know how fun it is to go to work everyday and try to kill your best friend.” Kane says with a laugh, speaking of David Boreanaz, who played Angel. Kane found himself in another defining role a short time later with Leverage. Playing Eliot Spencer, the muscle of the team on the show. Kane gets to demonstrate not only amazing hand-to-hand combat skills in this role, but also a softer, deeper side to his character. He jokes and said he modeled Eliot after B.A. Baracus from The A-Team. “Everyone on set would be like, ‘Oh, you’re doing Clint Eastwood?’ and I would explain, “No, I’m doing B.A. Baracus. They’re all as old as me, so they knew who he was.” Kane jokes.

Thanks to that little known show, Fame L.A., Kane got a taste for singing. In his hometown, there were a lot of talented musician and singer, like Garth Brooks, and Kane never thought his talent measured up. After singing on TV, he found a passion for singing he couldn’t deny. “We use to play the Viper Room (in L.A.) for women and whiskey,” Kane says fondly. His passion for music made it hard for him to turn it into a business, like acting, but he has been successful at it nonetheless. There was a point where the Rock ’n Roll lifestyle got a little out of hand for him and his band mates, but they have pulled it back together and balanced it out. Kane is proud to be a singer/songwriter and says if you give him a title to one of his songs, he’ll give you a story behind it. All the songs he writes are from the heart and the few he doesn’t deeply resonate with him. He loves both his career choices and has no plans to sacrifice one for the other anytime soon.

Kane shared that it was great to be back in New Mexico. Ten years ago, Kane and Skeet Ulrich shot a little movie in Santa Fe called Into The West with Steven Spielberg. They became fast friends on the set and have talked off and on over the years but this would be the first time they had seen each other since Santa Fe. “It was another relationship that I wouldn’t have to work hard on for this movie.” Kane’s character and Ulrich’s characters are best friends in 50 to 1. This movie was great to shoot and required very little acting from Kane. When he arrived in New Mexico he sat down with Mark Allen himself. Having read the script, Kane wanted to hear the story straight from the horse’s mouth, and he got it. “We [Mark Allen] opened a bottle of Patron, and about ten minutes in, I realized I didn’t have to act. I can show up and be myself. We don’t fall far from the same tree, me and him.”

With a grin, Kane says he never talks about pending projects that are coming down the pipeline. “If I told ya, I’d have to kill ya,” Kane says jokingly. “I don’t talk about or get excited about projects until we roll film, it’s just the way it is, but I do have something coming.” Kane did talk about a project he just wrapped called Allstars with Fred Willard and shared how he ruined every take laughing at the ad lib Willard would provide. “He is the King of making things up,” says Kane. “His delivery is so good, I’m laughing the whole time.”

When asked what legacy he wanted to leave behind, Kane shared three things he felt were worthy of being carved into a tombstone.
Number one: Early in his career he was taught how to be a cowboy by Tom Selleck [in Crossfire Trail].
Number two: He got to play Robert Duval [in Secondhand Lions].
Number three: He got to work with Calvin Borel on a horse [in 50 and 1].
“We are in the business of immortality,” says Kane. “So when I go, I’ll be around.”

With his acting legacy already firmly in place, and country albums in circulation, we can only wonder what Christian Kane will do next. The one thing can all rest assured in, he will look good while doing it.

New Mexico Entertainment Magazine

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Meet the people behind the scenes, Janine

At a Flying Star in downtown Albuquerque, I grab a latte and wait to talk to one of the city’s newest arrivals. It seems a fitting venue to talk with her about being a makeup artist to the stars. Outside these four walls, the streets are lined with movie trailers that are closing up shop for the day. On the second level there are actors running lines for the “next greatest thing” shooting here in town. Luckily the downstairs is sparsely filled for 3 in the afternoon, so talking will be easy.

Janine is from Long Island, a cosmetologist in the Big Apple. Some of you, like myself, might wonder what a girl like her is doing in a town like this. The short answer is Fate.

About a year ago, while managing a cosmetic counter by day and doing makeup for photo shoots and movies by night, Janine decided she needed a change. Born and raised a New Yorker, she hesitated to leave the city and her grandparents behind. While assessing her life to make a change, she experienced the tragic loss of her grandfather. She temporarily put her search for meaning on hold when she received another shock at his funeral. Her grandmother was moving to New Mexico to live with family members. To her surprise, she felt free to leave Long Island. In a moment of liberation, she asked her family how far Albuquerque was from Austin, Texas – a place she had been considering for a while.

She made a phone call to a longtime friend who lived in Austin to find out more about what it was like. This was her chance to start her life fresh and spend more time working on her dream, not just her survival.  He mentioned she should really consider New Mexico.  With the tax breaks and successful shows filming in the area, it might be just what she was looking for. That was the motivation she needed.  She headed out to visit her family in Rio Rancho and investigate the neighborhood. Shortly after her return home, she packed up and relocated out west.

She can’t stop smiling when she talks about her good fortune and the wonderful people she has met since moving here. “The community here is so open and friendly. Everyone is so supportive,” she raves.

When asked about what she likes best about her job, she bubbles over about the creative freedom her job allows. She is an artist to the core with a love for all mediums, but her first love will always be using the face as a canvas, especially when she gets to create fictitious symptoms and a fictional disease. She worked on a film where she was able to decide what the effects of a deadly nanovirus would look like on its victims. Among other gruesome symptoms, the infected character sweated blood.

On another occasion she worked with contestants in a costume contest sponsored by a tequila company. She convinced her lovely lady to have her makeup done like Dee Snider of Twisted Sister, who was there. Her contestant won hands down.

Thanks to her day spent working on that contest, she was asked to help Snider and his family shoot an Indie film with third graders as the stars. “It was amazing to work with him (Dee) and his family.  They are creative geniuses. If there was anyone I would drop everything for and fly back to New York to help, it would be the Snider family”.

When asked how little Hollywood in New Mexico compares to the Big Apple she says there is no comparison. Albuquerque has given her the sense of peace in her heart she has been looking for. Since arriving in town, she has been doing makeup for everything from photo shoots to movies to donating her spare time to help worthy causes (low budget indie projects). She will forever be grateful to the friend who told her Albuquerque is the place to be. She misses New York from time to time, especially her friends and family, but she is making new memory here in her new home.

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Behind the scene with Janessa

“Meet New Mexico’s own hair designer to the stars, Janessa Bouldin. Born and raised right here in Albuquerque, Janessa has been styling hair locally for over 10 years, when she landed her first Hollywood job on Love Ranch as a nail tech, soon followed by a hair design gig on Crash. “I had no idea what I was getting into when I first signed on to film set,” said Bouldin. “But, it’s been wild ride.” It is a close knit little community to break into when you’re first starting out. The hours can be long and demanding. The locations can be down the street or across the state from day to day. The people behind the cameras need to know that they can rely on you when your in the middle of nowhere trying to get a scene done.
Janessa Bouldin: Hair Designer

Being a singled mother of three young children, Bouldin is grateful for the opportunity working on set has provided her and her children. “The film industry has given me the chance to hone and prefect my skills without having to relocate my family.” Her children are supportive of her career and are looking to the film industry for careers of their own.

Janessa has worked on all kinds of movie and televisions shows in the last few years, each with their own challenges. The smaller indie movie sets such as Blaze you out shot in Espanola NM gave her a chance to really stretch her creative muscles. She handled more work and more responsibility. “Pushing my limits is a great experience even on the days it was difficult.” On larger movies sets such as The Avengers there are new and different pressures to work coordinating so many people to be ready for each scene. No matter what is in production you are guaranteed to have some great moments and gain knew insights.

“When it comes to getting star struck, I have my moments, but the key is to remain professional at all times.” Treating everyone on set in the same caring and respectful way will instill confidence in your work. The more confidence people have in your work the more work you will get. Janessa credits her family and her mother for instilling these ideas into her at a very young age. She plans to continue on the movie sets for years to come whiling encouraging her children to follow their dreams and use their artist skills.

Without the opportunities bought into town by the film industry Janessa and many others working in that field wouldn’t be able to provide for the families the way they are now. It’s an industry that is sure to grow and improve the lives of Native New Mexicans across the state.
checkout more at: http://www.NMEntertains.com

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